6.10.14

Stadt als Klangtext - Urban Sound Projects


Stadt als Klangtext - Urban Sound Projects
Exhibition series: #3 of 5

Åsa Stjerna, "Currents"
Hanna Hartman, "Early Warning"

Exhibition: October 9th - 12th, 16:00 - 20:00h
Talk / Discussion: Thursday, October 9th, 19:00h
with Fabian Czolbe and the artists

Errant Bodies
Kollwitzstrasse 97
10435 Berlin
www.errantbodies.org/stadtklangtext.html

The exhibition and discussion series Stadt als Klangtext introduces ten artistic positions by sound artists working with urban space. The series aims to consider how auditory experience and sonic work may operate to create a sense of civic engagement, spaces of mutuality, and forms of interruption onto the urban scene. Each exhibition consists of two artists presenting one work, and integrates a discussion evening led by an invited academic and open to the public.

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Åsa Stjerna, “Currents“ /
Documentation of a site-specific sound installation and sonification presented in the spacious glass foyer at the new opera building in Oslo 2011. The sound work was based on measurement data from a scientific research project in which the North-Atlantic Current in the North Sea was measured to gain knowledge on the effects of global warming. During the period of the exhibition, these measurement data were transferred in real-time and distributed over 18 loudspeakers in the glass foyer, transformed into an artistic-sonic experience in public space.

Hanna Hartman, “Early Warning" /
a sound installation

11.9.14

W. Mark Sutherland, Alessandra Eramo and Tomomi Adachi

ERRANT VOICES
Sound poetry night with W. Mark Sutherland, Alessandra Eramo and Tomomi Adachi

September 17th (wed) 2014
20.00 start

Errant Bodies
Kollwitzstrasse 97
10435 Berlin
http://errantbodiesspace.blogspot.de

Solos and collaborative sound poetry performance by Canadian sound poet W. Mark Sutherland with two Berlin-based sound poets/voice artists, Alessandra Eramo and Tomomi Adachi

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W. Mark Sutherland is a Canadian intermedia artist. His aesthetic practice is a hybrid that pivots on the creation of work blurring the borders between poetry, visual art, music and performance art. He is a member of the Board of Directors for Musicworks magazine (www.musicworks.ca) and editorial correspondent for Rampike magazine (www.uwindsor.ca/rampike). A very brief selection of Sutherland's recent public performances includes THEWORDMUSIC Festival, Reykjavik, Iceland (2006), Voice ++ Festival, Victoria, BC, Canada (2007), Yuxtaposiciones Festival, Madrid, Spain (2008), 3durch3, Wilhelmspalais, Stuttgart, Germany (2010) and 100 Jahre Konkrete Kunst, Art Rehau, Rehau, Germany (2010), Language To Cover A Wall, SUNY, Buffalo, USA (2011) and Symposium on Voice, Agency and Improvisation, MacDonald Stewart Art Centre, Guelph, Canada (2014).
www.wmarksutherland.com

Alessandra Eramo is a vocalist, sound artist, composer and performer. Her works take on hybrid forms between electroacoustic music and performance art through the conjunction of voice, sound, language, noise, field recording, drawing, gesture and text . Gaining international recognition, she exhibited and performed in festivals, galleries, theatres, artist-run centers and radios such as Deutschlandradio Kultur, Roulette New York, Galerie Haus am Lützowplatz Berlin, Liverpool Biennial 2012, Sonic Circuits Festival Washington DC. In 2011 she exhibited at the "Italian Pavilion in the World" of the 54th Venice Biennale, invited by the Italian Culture Institute of Stuttgart. Grants and residencies include: Correnti Seduttive Taranto, Harvestworks New York, Hotel Pupik Austria, Senat Berlin International Cultural Exchange. Her music was released a.o. on Corvo Records and Audition Records.
www.ezramo.com

Tomomi Adachi is a performer/composer, sound poet, instrument builder and visual artist. Known for his versatile style, he has performed his own voice and electronics pieces, site-specific compositions, choir pieces for untrained musicians, improvised music and contemporary music in all over the world including Tate Modern, Maerzmusik, Centre Pompidou, Poesiefestival Berlin, Merkin Hall, Tempelhof Airfield, STEIM and Walker Art Center with a wide range of materials; even brainwave, artificial satellite and paranormal phenomenas. As the only Japanese performer of sound poetry, he performed Kurt Schwitters' "Ursonate" as a Japan premiere in 1996 and has introduced Japanese sound poetry tradition. CDs include the solo album from Tzadik, Omegapoint and naya records. He was a guest of the Artists-in-Berlin Program of the DAAD for 2012.
http://www.adachitomomi.com

7.9.14

Jean-Luc Guionnet



French musician/visual artist Jean-Luc Guionnet presents a selection of audio-visual works at Errant Bodies project space from Wednesday, September 10th - Saturday, September 13h. The exhibition fits within a larger program of Guionnet in Berlin (September 8th - 14th), including concerts, lectures, performances, and film screenings done by or otherwise curated by Jean-Luc.

OPENING
Wednesday, September 10th: 18h-20h30

Gallery hours:
September 11th - September 13th: 18h-20h

Errant Bodies
Kollwitzstrasse 97
10435 Berlin

All exhibition evenings are followed by evening events in Ausland (Lychener str 60, Prenzlauer Berg, 15 minutes walking from Errant Bodies)
http://www.ausland-berlin.de/ausland-presents-jeanluc-guionnet-berlin

My musical work subdivides itself into as many ways as occasions arise for me to think and act with sound and images. Those occasions have always to do with a strong meeting with an outside element : an instrument (saxophone/organ), a theoretical idea (what is "rumour"?), and mainly a collaborating friend (André Almuro, Éric Cordier, Éric La Casa, Pascal Battus, Caroline Pouzolles, Franck Gourdien, Taku Unami, Seijiro Murayama, Lotus Eddé Khouri) ... There then follows a collection of themes which, in turn, influence the evolution of the musical work and define the direction of meetings to come : the thickness of the air, the pidgin, the musical instrument considered as affective automaton, listening and seeing dark unto themself, the algebra of and in hearing, sound as a signature of space, signature of objects, signature of what it is not... and light ? The fact that French uses the same word – le temps – for time and weather, propagation and spread of forms in time etc. Music, drawing, video are, then, a way to test reality. Conversely, it’s a test whose experience defines a new distribution of the whole body by artificially localizing it in an unknown and purely physical environment, all the while being able to think, count, make relations or understand places, and so forth. The emotion I look for in music is made out of all these strata and the sliding of one over the other during the act of perceiving.
- www.jeanlucguionnet.eu -

1.9.14

Stadt als Klangtext - Urban Sound Projects


Stadt als Klangtext - Urban Sound Projects
Exhibition series: #2 of 5

Mario Asef, "Yopito Concert"
Gilles Aubry, "Notes via a Soundscape of Bollywood"

Thursday, September 4th, 2014
Screening & discussion with Bettina Wackernagel and the artists
19:00 opening / 19:30 (sharp) screening/diffusion of the works and discussion

Errant Bodies
Kollwitzstrasse 97
10435 Berlin
www.errantbodies.org/stadtklangtext.html

The exhibition is on view from September 3th - 7th, 16:00 - 20:00h

The exhibition and discussion series Stadt als Klangtext introduces ten artistic positions by sound artists working with urban space. The series aims to consider how auditory experience and sonic work may operate to create a sense of civic engagement, spaces of mutuality, and forms of interruption onto the urban scene. Each exhibition consists of two artists presenting one work, and integrates a discussion evening led by an invited academic and open to the public.

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Mario Asef, "Yopito Concert"
On January 20, 2005 Yomango and Mario Asef organized, composed, and directed a shopping mall alarm concert at the Potsdamer Platz Arkaden shopping mall in Berlin.
For this event 25 Yopito players were invited to sound the alarms of various stores by passing through their security detection systems with magnetic anti-theft strips. The alarms were set off according to a pre-arranged composition.

Gilles Aubry, "Notes via a Soundscape of Bollywood"
During two months in 2013 Aubry has recorded people at work in the film industry in Madha, a Mumbai neighborhood known as the “B-side” of Bollywood. His recordings attest of the materiality of the film-production process, revealing voices, musics, spaces, technology and special FX combined with sounds from the Madha neighborhood and its population. While Hindi movies often mirror the tensions resulting from the effects of globalization on traditional societies, the Bollywood dream-factory itself appears in this documentation as a precarious environment. The author’s own presence as an observer questioning a (non-Western) “developing” society is reflected through references to Pier-Paolo Pasolini's 1969 film-essay “Notes towards a film about India”.

Stadt als Klangtext has received support from the Bezirksamt Pankow Cultural Fund.
Organised by Georg Klein, Antje Vowinckel, Mario Asef, Brandon LaBelle.

28.8.14

Ernesto Estrella

Ernesto Estrella
The Insider. Episode I: “Dance of the Unreadable”

Saturday, August 30th, 7:30pm open doors, show starts at 8pm (sharp)
*Materials related to the creation of The Insider series will be displayed in the gallery.

Errant Bodies
Kollwitzstrasse 97
10435 Berlin
www.errantbodies.org

The Insider (a voice series)
Enter the mind of a retired customs officer who is being haunted by the memories of those that were passing by in front of him while he was on duty. A trip that will take you from the vault of popular cultures, to the disintegration of languages, and into the precious details of personal stories. Inner borders are dissolved, and fragility becomes our new precision. Sensitive and voracious, “The Insider” intervenes into the cultural DNA of our times and presents us with a nomadic identity faithful to the multiple pulse of our daily human being.

Ernesto Estrella is poet, musician, and educator born in Granada who has lived in New York since 2000. Between 2007 and 2011 he was a professor of Contemporary Poetry at Yale University, and since 2012 he has turned to Berlin as a second base for his artistic and academic projects. As a musician, he concentrates on the voice’s potential to explore the poetic process through sound. In this vein, he has created a wide array of pieces for performances that have been presented at international festivals in Argentina, Uruguay, Austria, Germany, Croatia, Russia, Finland, Latvia and the U.S. He is part of the international quartet Berlin Sound Poets Quoi Tête, and has also been teaching seminars on “Ethics, Politics, and Performativity of the Poem” at Potsdam University.

http://www.grownewears.com/

9.8.14

Stadt als Klangtext - Urban Sound Projects



Stadt als Klangtext - Urban Sound Projects
Exhibition series: #1 of 5

Antje Vowinckel, "Folgen Sie mir pausenlos"
Brandon LaBelle, "Rehearsal for a People's Microphone"

Opening: Wednesday, August 6th, 19:00h
Talk / Discussion: Thursday, August 7th, 19:00h with Marcus Gammel and the artists
Exhibition Hours: August 7th - 10th, 16:00 - 20:00h

Errant Bodies
Kollwitzstrasse 97
10435 Berlin
www.errantbodies.org/stadtklangtext.html

The exhibition and discussion series Stadt als Klangtext introduces ten artistic positions by sound artists working with urban space. The series aims to consider how auditory experience and sonic work may operate to create a sense of civic engagement, spaces of mutuality, and forms of interruption onto the urban scene. Each exhibition consists of two artists presenting one work, and integrates a discussion evening led by an invited academic and open to the public.

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Antje Vowinckel, "Folgen Sie mir pausenlos" -
Ein Speakview mit automatischen Sprechern
Neun Personen gehen über den ehemaligen Berliner Flughafen Tempelhof, mit Headset-Mikros und Audioguides ausgestattet. Dabei sprechen sie ohne Unterbrechung. Sie gehen über Lan­depisten, Wiesen und schließlich in den Hangar 6. Sprechend "filmen" sie ihren Weg ab, zerle­gen ihn in einzelne Bilder. Verschiedene Perspektiven überlagern sich, es entsteht eine Art akustisches Schielen. Der Raum wird neu konstruiert und aus der realen Landschaft wird eine Sprechlandschaft. Produktion: DeutschlandRadio 2012.

Antje Vowinckel ist eine mehrfach ausgezeichnete Radiokünstlerin, Klangkünstlerin, Regisseurin und Performerin in Berlin. Schwerpunkte ihrer Arbeit sind die musikalischen Aspekte von Sprache z.B. in Kompositionen mit Sprachimprovisationen und Dialekten sowie musikalische Performances mit Bildern und Objekten. Studium Literatur und Musik. (Querflöte/Klavier). Anschließend Promotion (“Collagen im Hörspiel. Die Entwicklung einer radiophonen Kunst”) und Rundfunkvolontariat. Ein Jahr Dramaturgin beim SWR. Ab 1994 eigene Hörspiele, Radio-Features, Klangkompositionen und literarische Regie für SWR, BR, WDR, DRadio, NDR, HR. Ihr Stück “Call me Yesterday” wurde in 16 Ländern gesendet und vorgestellt.

Artist and writer Brandon LaBelle presents "Rehearsal for a People's Microphone," a work originally developed as a public intervention in the city of Sherbrooke, Quebec, in 2013. Consisting of a sound system installed in the back of a 1950s pick up truck, the work circulated through the city of Sherbrooke for a two-week period. The project is based on ideas of civic culture and the crowd, specifically appropriating the device of a people's microphone to stage a form of public speech – a rehearsal for a future manifestation. For the presentation at Errant Bodies, LaBelle installs the original audio work, alongside documents and artifacts related to the search for public life.

Brandon LaBelle is an artist and writer working with sound culture, voice, and questions of agency. He develops and presents artistic projects and performances within a range of international contexts, often working collaboratively and in public. Recent projects include "Civic Center", La Casa Encendida, Madrid, "Sixth Housing Estate", South London Gallery, London, and "Hobo College", Marrakech Biennial parallel project. He is the author of Diary of an Imaginary Egyptian (2012), Acoustic Territories: Sound Culture and Everyday Life (2010) and Background Noise: Perspectives on Sound Art (2006). He is the editor of Errant Bodies Press and Professor at the Bergen Academy of Art and Design, Norway.

Stadt als Klangtext has received support from the Bezirksamt Pankow Cultural Fund.

12.7.14

Michael Vorfeld / Boris & Yumiko Hegenbart


TWO SCREENINGS OF:

VORFELD’S SLIDE SHOW (UA)
FOR 11 SLIDE PROJECTORS AND 489 SLIDES

MICHAEL VORFELD: VISUALS AND SOUNDS

&

ILLUSTRATION & CLOUDS (UA)

YUMIKO HEGENBART-MATSUI: SLOW ANIMATION
BORIS HEGENBART: CLOUD BLOCKS

Saturday, July 19, 2014

First Screening of both pieces at 21:30h
(the first screening will start promptly at 21:30)

Second Screening of both pieces at 22:30h
(the second screening will start promptly at 22:30)

Errant Bodies
Kollwitzstr. 97
10435 Berlin
http://errantbodies.org/


http://www.vorfeld.org
http://www.hegenbart-matsui.com
http://www.soundblocks.de